En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Arielle Smith

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

The Dutch National's Junior company dazzled in three new works and a Balanchine classic, showcasing the stars of tomorrow.

Returning for its first anniversary, Arielle Smith and Aaron S Watkin’s Nutcracker for English National Ballet remains a feast for hungry eyes, despite its flaws. 

It was a wonderful, heartening afternoon – it’s no wonder nearly all the 2025 graduates have gained contracts with several major ballet companies.

Overall, The Royal Ballet School delivers much to admire, but reminiscent of a multiple-course banquet that still leaves you reaching for the cheese and biscuits when you get home.

A long-awaited new production of ENB's perennial seasonal classic is a visual feast.

Visually pleasing, superbly danced and musically rousing, yet Luna doesn’t quite reach the pinnacle. 

While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program. 

London City Ballet return in a new incarnation at Sadler's Wells, promising a great future.

Annabel Lopez Ochoa's Broken Wings is a ballet you’ll want to see again and again, one that illuminates, empowers and soars.

Laurence Cummings and The English Concert deliver musical excellence in a wonderfully designed and choreographed production.

The ENB translates its digital films made during the pandemic into an evening of a live performance.

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith.