En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Frederick Ballentine

The Philadelphia Orchestra offers a musically and dramatically urgent performance of Wagner’s complete opera, buoyed by world-class soloists.

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 

An excellent cast led by Clémentine Margaine livens up the first revival of Carrie Cracknell's all-American Carmen at the Metropolitan Opera. 

Benjamin Bernheim and Nadine Sierra are a must-see pairing in the Met's revival of Bartlett Sher's production of Roméo et Juliette. 

Despite some confused visual elements, an excellent musical performance makes Seattle Opera's production well worth watching.

Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.

English National Opera's It’s a Wonderful Life makes for a feel-good evening of theatre, but it requires a sweet tooth.

 Poul Ruders’ The Handmaid’s Tale comes home to English National Opera after 20 years in a powerful new production by Annilese Miskimmon.

James Robinson’s production allows the large cast of Catfish Row to interact like the old pals – almost family – that they are.

Mezzo-soprano Jamie Barton seemed to have a lot of fun taking up the role of Julia Child once again. 

The Met’s new production is directed by James Robinson, who has the characters interacting and listening to one another as if in real life – the inhabitants of Catfish Row have known each other for all of their lives and love, pray and grieve like family.

Good-time girl, hometown sweetheart, torn-apart lover, smugglers and rivals, familiar songs, a cliffhanger of a tale. 

Eric Owens singt Porgy mit Leib und Seele und ist mit seiner charismatischen Ausstrahlung der unbestrittene Held dieser Oper.

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 

Glimmerglass’ Porgy and Bess proves one more time that Gershwin’s opus remains America’s most important 20th-century opera.

Washington National Opera continues its cycle of social justice operas.

Francesca Zambello stages a new production of Robert Ward's opera The Crucible at the Glimmerglass Festival in upstate New York. 

A bird's-eye view of Gustavo Dudamel's opening concert in the LA Phil's Mozart-Pärt cycle.