En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Hungarian National Ballet

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

Three iconic Bartók dance scores are newly-interpreted at the Hungarian National Ballet. 

Hungarian National Ballet's Spartacus is not short of drama. Combined with Khachaturian's rousing score and some breathtaking dancing, it's a winner.

Three complete ballets and a sprinkling of divertissements made for a highly enjoyable gala.

This expanded Swan Lake celebrated the return of an exceptional ballerina after a year's lay-off as well as displaying the depth of talent within the company.

MacMillan's ballet returns to the Hungarian National Ballet in time for the Opera House's grand reopening.

The Master and Margarita is a spectacular extravaganza indeed, streamed from Hungarian State Opera's Eiffel Art Studios.

A simple, noble and dramatic escape from the present day as the company dances Michael Messerer’s updated (slightly shortened) version of the Vainonen classic.

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.

A double bill that focuses on the purity of classical ballet form, in a fine combined 70th Anniversary celebration, excellently performed by Hungarian National Ballet.  

Now an ever-developing city, Budapest has become much more than faded grandeur, actually, and the Hungarian National Ballet’s recent moves reflect just that

The Hungarian National Ballet brilliantly closes the season with the world premiere of Marianna Venekei’s version of Tennessee Williams’ classic A Streetcar Named Desire on music by László Dés.

A memorable Manon in Budapest 

The Hungarian Nation Ballet presents a stunning programme in which Kyliàn's Black and White masterpieces are paired with Lander's polished Études.