White, Black – Opposites in Attraction

Por Graham Watts, 03 febrero 2016

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“a company that is clearly aspiring to – and achieving – a true international standard”

Crítica hecha desde Erkel Színház (Erkel Theatre), Budapest el 30 enero 2016

Sarabande (Jiří Kylián)

Falling Angels (Jiří Kylián)

Études (Harald Lander)

Hungarian National Ballet

Jiří Kylián, Diseño de escena

Joke Visser, Diseño de vestuario

Karina Sarkissova, Bailarín

Tatiana Melnik, Bailarín

Gergö Ármin Balázsi, Bailarín

Hungarian State Opera

Un trío de ases para una noche de danza: Galili, Kylián y Duato

Eduardo López-Collazo, 30th May

Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.

****1

Avant-Garde: an eclectic triple bill in Prague

Elsa Giovanna Simonetti, 15th March

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

Petite Mort is a cut above in second Kylián celebration

Vikki Jane Vile, 31st May

The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

***11

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Hungarian National Ballet: White, Black – Opposites in Attraction