En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Johan Engels

Mirga Gražinytė-Tyla manejó con equilibrio sonoro tanto la orquesta como el escenario y dio vida a las demandas emocionales de la magnífica obra de Weinberg.

Stellar voices and orcheatra and some inspired staging choices elevate an otherwise heavy-handed production of Pelléas et Mélisande from the WNO at the Hong Kong Arts Festival.

David Pountney's new production of Die Walküre for the Lyric Opera of Chicago incisively charts the tectonic shift of control over the future from Wotan to Brünnhilde.

Two parts of Puccini's triptych are directed by Michael Barker-Craven - Il tabarro and Suor Angelica - in brilliantly successful productions at Leeds Grand Theatre.

Mélisande as Lulu in David Pountney's unfulfilling production of Debussy’s Pelléas et Mélisande at Welsh National Opera. 

De cette production, on ne gardera en mémoire que quelques belles émotions lyriques

David Pountney's production of Mieczysław Weinberg's opera The Passenger travels to Chicago. 

Scottish Opera's imaginative Orfeo ed Euridice is a well sung wild visial feast with added dancing thrown into the mix by Ashley Page. 

Tragedy giving way to comedy – a recipe which still works, as demonstrated in Opera North's fine double bill of Gianni Schicchi and La vida breve.

A welcome return for Tim Albery's intelligent production of Verdi's Macbeth with Opera North at Leeds Grand Theatre.

The impressively well-drilled children’s chorus dominates this glittering production of A Midsummer Night’s Dream, the second component of Opera North’s Festival of Britten. 20 young performers in white, black wings on their fairy shoulders, wind solemnly in and out of the action, assemble in rows, perform versions of callisthenics exercises, and sing beautifully.

The glittering white of a luxury cruise liner above, the darkened hell of the concentration camp below. Johan Engels' set for Weinberg's The Passenger, first seen at the Bregenz festival in 2010 and now at the ENO in London, is one of the most striking and effective opera sets I've ever seen, both framing the action and adding colour.