En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Megan Marino

Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic. 

Forget Rimsky-Korsakov, forget the Polish act... Stephen Wadsworth's new production for The Met returns to Mussorgsky's original 1869 version of his Russian historical epic. 

General and Artistic Director Tomer Zvulun unleashes an unending flow of creativity and originality in The Threepenny Carmen. 

The Atlanta Opera presents a superior live production of Leoncavallo's Pagliacci to a masked, socially distanced audience.

Michael Mayer’s colorful and busy production of La traviata returned to the Met with a triumphant performance of the title role by soprano Aleksandra Kurzak.

The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.

If you're wondering what it's like to be Kát’a Kabanová, Garry Hynes' set at Spoleto says it all.