En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ola Eliasson

The Royal Swedish Opera revives Tandberg’s 2014 production with a solid cast of Swedish singers.

Grigorian returns to Stockholm in a wonderful performance of Madama Butterfly, with young, upcoming tenor Migran Agadzhanyan as Pinkerton in a 2014 production by Kirsten Harms.

Malin Byström convinces as the Feldmarschallin with Adrian Angelico as a strong Octavian, under the baton of Alan Gilbert.

After her triumph at the Royal Opera House in London as Salome, Byström comes home to Sweden to great acclaim in Giordano’s opera.

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

A frightyfully enjoyable world premiere of Victoria Borisova-Ollas first opera, turned into a giant Halloween party, where the Kungliga Operan is invaded by an audience of vampires, emaciated Victorian ladies and sinister characters.

Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

Beautiful singing at the Royal Opera House in Stockholm for the Scandinavian première of Giordano's Fedora.

A superb orchestral performance from Lawrence Renes and the Royal Swedish Opera Orchestra lights up Michael Cavanagh's well directed Nixon in China.

In Ole Anders Tandberg’s staging of Don Giovanni at the Swedish Royal Opera, the Don seems to prefer making love at gunpoint, or in a public lavatory under the threat of discovery. 

German director Christof Loy’s second production for the Royal Swedish opera was of Wagner’s Parsifal. The cast is rather on the luxurious side as well, sporting three of the greatest Wagner singers working today – two of them Swedish, no less!Loy’s Parsifal is a distinctly human drama.

An obsessively man-hating princess, a slave girl who really needs to open up a bit more about her feelings, a prince who actually fell in love at first sight, and an unhealthily large dose of exoticism? Why, it can only be Puccini’s Turandot.