En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Robert Perdziola

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

Which choreographer's adaptation of A Midsummer’s Night Dream is superior, Ashton or Balanchine? This season, New Yorkers get to compare as ABT revives Ashton's The Dream as part of its Fall season. 

A lovingly reproduced historical reconstruction, but is it enough to connect with modern Australian audiences?

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

Harlequinade shows Ratmansky's usual scrupulous care when reconstructing Petipa's ballets. His attention to detail and obvious love for the art form are to be admired. But these ballets are also living, breathing works and they need strong performances to be viable in the repertory.

Synergies between singers compensated for accurate but unexciting orchestral playing.

Christmas tradition is valued deeply in New England, and it is only fitting that the region’s penultimate production of The Nutcracker be an utterly classic experience.

A slick production from the Garsington Opera Company, who use the location of the Wormley Estate to their full advantage.