Tiler Peck's Symphonie Espagnole for NYCB is sprawling and ambitious

Kloe Walker and Mira Nadon with the Company in Tiler Peck’s Symphonie Espagnole

Kloe Walker with NYCB in Tiler Peck’s Symphonie Espagnole

Naomi Corti with the Company in Alysa Pires’ Standard Deviation

Alexa Maxwell and Joseph Gordon in Jerome Robbins’ Opus 19/The Dreamer

Por Ivy Lin, 10 mayo 2026

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“Peck is not afraid of sticking to classical steps and using classical music”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 9 mayo 2026

Opus 19 / The Dreamer (Jerome Robbins)

Standard Deviation (Alysa Pires)

Symphonie Espagnole (Tiler Peck)

New York City Ballet

Ben Benson, Diseño de vestuario

Ronald Bates, Diseño de iluminación

New York City Ballet Orchestra

Mark Stanley, Diseño de iluminación

Robert Perdziola, Diseño de vestuario

Joseph Gordon, Bailarín

Alexa Maxwell, Bailarín

Roman Mejia, Bailarín

Mira Nadon, Bailarín

Ryan Tomash, Bailarín

Kloe Walker, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

Tiler Peck's Symphonie Espagnole for NYCB is like Marty Supreme: sprawling and ambitious