En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sebastián Villarini-Vélez

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

An uneven performance with mishaps and mis-pairings, yet still offering some outstanding individual interpretations.

Concerto DSCH received a raucous reception during curtain calls. It’s a classic closer for an evening in that it sends everyone home happy. It doesn’t below as the middle ballet. Programming gods at NYCB, are you listening?

 The melancholy ending was a fitting farewell between ballerina and ballet. The heartmelting, beautiful Duo Concertant alone was worth the entire price of admission.

The fall season opens with three Balanchine ballets and what felt like a gesture of thanks to a trio of ballerinas for their many years of service to the company.

The Four Seasons is such a happy, appealing ballet that the audience barely notice any unsteady moments. 

Sterling Hyltin and Adrian Danchig-Waring are exquisitely self-absorbed in Jerome Robbins' Afternoon of a Faun.

The NYCB dancers are very at-home in this idiom, and they threw themselves wholeheartedly into this ballet. It was never less than watchable, but the music cried out for more avante-garde choreography than Peck provided.

After the success of The Runaway, it wasn’t surprising that Kyle Abraham was tapped to create a new work for NYCB’s 2021 Digital Season.

New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

Balanchine’s Nutcracker may have premiered in 1954, but every year tickets sell out for this festive treat. 

Tiler Peck is at her peak as an artist and let’s hope it lasts a long time.

Twelve years after its creation, we’re still talking about what’s going on in Russian Seasons and we’re still looking forward to what the next dancer in gold, or red, or green will do with the role.