Seasonal fun in NYCB's All Robbins double bill

Amar Ramasar, Emilie Gerrity, and Company in Jerome Robbins’ The Four Seasons

Roman Mejia in Jerome Robbins’ Piano Pieces

Aaron Sanz and Mira Nadon in Jerome Robbins’ Piano Pieces

Chun Wai Chan, Indiana Woodward, and Company in Jerome Robbins’ The Four Seasons

Ashley Hod and Company in Jerome Robbins’ The Four Seasons

Por Ivy Lin, 18 mayo 2022

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“Daniel Ulbricht... dancing the Faun for years... springiness of his jumps just defies Father Time”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 17 mayo 2022

Piano Pieces (Jerome Robbins)

The Four Seasons (Jerome Robbins)

New York City Ballet

Santo Loquasto, Diseño de vestuario

Roman Mejia, Bailarín

Mira Nadon, Bailarín

Aarón Sanz, Bailarín

Emilie Gerrity, Bailarín

Jovani Furlan, Bailarín

Tiler Peck, Bailarín

Sebastián Villarini-Vélez, Bailarín

Indiana Woodward, Bailarín

Chun Wai Chan, Bailarín

Ashley Hod, Bailarín

Devin Alberda, Bailarín

Andres Zuniga, Bailarín

Amar Ramasar, Bailarín

Unity Phelan, Bailarín

Andrew Veyette, Bailarín

Daniel Ulbricht, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)