En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Skylar Brandt

Twyla@60: A Tharp Celebration is an overall triumph though not just for Tharp, but for Susan Jaffe’s vision for American Ballet Theatre.

The audience walked out of the theater feeling airborne and filled with the kind of joy you only feel after a truly special performance. Sylvia is an absolute treasure.

Christopher Wheeldon’s The Winter’s Tale is a sumptuous looking production but on this occasion, it didn’t come to life emotionally.

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

The Dream is such a crowdpleaser that one wishes ABT would do this more often in their Met season, but Ballet Imperial needed more time to relax into. 

A strong opening to ABT’s fall season, the company often seemed stagnant in the last years of Kevin McKenzie’s directorship. It is now more exciting. New leadership, new faces.

Magnificent leading dancers elevated the performance, but nothing can detract from the fact Kevin McKenzie's Swan Lake is looking tired.

American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 

In contrast to companies like the Bolshoi, ABT’s Don Quixote comes across as sweet but slight.

It’s only her third performance of role, and her New York debut, but it was so polished that Brandt immediately jumped to our writer's personal short-list of great Giselles.

Kevin McKenzie's production of Swan Lake at ABT usually has little to commend it, but Christine Shevchenko's Odette/Odile is the real deal. 

Perhaps ABT's disclaimer in the program notes should have simply said: "When you watch Le Corsaire, prepare to be both offended and entertained. We hope you'll be more entertained than offended."

There was complete assurance in Skylar Brandt's performance and there’s no doubt that she’s a bona fide contender for a future slot as a principal dancer.

It’s full of rich characters and a great story that weaves farce, tragedy, exotic music, and outstanding stagecraft together into an experience that takes you away.

Alas, putting two stars (Kochetkova and Cornejo) together is no guarantee of success and that was certainly the case here.

Ratmansky is at the top of his game as a story-teller with this loving recreation of The Golden Cockerel.

ABT has always been a place where stars shine brightest and this night had a whole constellation of them.