Moments and misses in American Ballet Theatre's American Splendor

Luciana Paris, Devon Teuscher and Cassandra Trenary in ZigZag

Skylar Brandt and Herman Cornejo in Theme and Variations

Single Eye

Por Erin Bomboy, 10 julio 2022

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“Jessica Lang knows who the star of ZigZag is: Tony Bennett”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 8 julio 2022

Theme and Variations (George Balanchine)

ZigZag (Jessica Lang)

Single Eye (Alonzo King)

American Ballet Theatre

Ormsby Wilkins, Dirección

American Ballet Theatre Orchestra

Herman Cornejo, Bailarín

Skylar Brandt, Bailarín

Calvin Royal III, Bailarín

Isabella Boylston, Bailarín

Thomas Forster, Bailarín

Jarod Curley, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

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Erin Bomboy

Erin Bomboy has been writing about dance since 2013. She trained as a classical ballet dancer and spent a decade as a professional competitive ballroom dancer. She holds an MFA in Dance Performance and Choreography from New York University Tisch School of the Arts, where she was mentored by Deborah Jowitt. She lives in New York City with her husband, daughter and fabulous Maine Coon cat. In her free time, Erin enjoys bacon, books, wine and working out.