En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Wallis Giunta

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark. 

Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre. 

Eine surreal-skurrile aber gesellschaftsunkritische Uraufführung, bei der es reichlich zum Augenaufreißen und -reiben gibt.

Brecht and Weill's Seven Deadly Sins, directed and choreographed by Gary Clarke and conducted by James Holmes, is performed by Opera North in a live-streamed performance from Leeds Playhouse.

An enchanting production, imaginative, amusing and suitable for children of all ages.

Lloyd-Evans' new production of Mozart's classic might be traditional, but there's no lack of astuteness in his direction of his characters. Problems in the pit hinder an otherwise strong musical performance.

Richard Strauss' Komödie wird in Leipzig im besten Sinn klassisch und doch herrlich lustvoll und ohne umdeutende Modernisierung wieder aufgenommen.

À l'Opéra de Leipzig, décors, lumières, costumes et orchestre prodigieux du Gewandhaus ont constitué un superbe écrin, enveloppant solistes et chœurs d'une Carmen très applaudie.

Wallis Giunta and Michael Sikich serve up a delectable programme of Bernstein, Sondheim, and friends

Oper Leipzig's Das Rheingold unfolds with no set changes, giving Wagner's music plenty of opportunities to fuel the imagination.

La Cenerentola is the final component of Opera North's fairytale season, with every voice and every character getting a chance to revel in Rossini's intricate ornamentation.

Opera Atelier’s latest production mixes traditional-specific touches the company is known for, and more high-concept inclusions. The results are mixed — but the singing is spectacular.

The 2012 Fort Worth Opera Festival, now nearing its conclusion, presented the last of its three performances of Mozart’s Le Nozze di Figaro on Friday evening. A traditional approach governed everything from the modest yet handsome sets to the conservative musical interpretation.