En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Yumiko Takeshima

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

It’s all change at the Ballett am Rhein with new Chief Choreographer, Bridget Breiner, and Ballet Director, Raphaël Coumes-Marquet taking over from Demis Volpi for the 24/25 season.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

English National Ballet appears refreshed and revitalised under its new artistic director.

Crystal Pite’s Angels’ Atlas offers a strange closer for the NBC's program in their brief run at New York City Center.

Their artistry was something that is rarely seen and is a great gift to us all.

Ballett Zürich’s tribute to the visionary American choreographer William Forsythe included three ballets that had never before been performed in Switzerland.

Dawson impresses most where the dynamic between utter stillness and his lyrical movements is greatest, and Bryers has composed a beautiful and meditative series of compositions

Sasha Mukhamedov, James Stout and their fellow dancers succeed to drag us off to a romantic tragedy on the British isles on a June evening.