Risks and rewards: a celebration of William Forsythe at Ballett Zürich

Por Sarah Batschelet, 19 enero 2020

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“the element of risk was so omnipresent that many of us had to hold our breath”

Crítica hecha desde Opernhaus, Zürich el 17 enero 2020

The Second Detail (William Forsythe)

Approximate Sonata (William Forsythe)

One flat thing reproduced (William Forsythe)

Ballett Zürich

Yumiko Takeshima, Diseño de vestuario

Issey Miyake, Diseño de vestuario

William Forsythe, Diseño de iluminación

Stephen Galloway, Diseño de vestuario

Elena Vostrotina, Bailarín

Michelle Willems, Bailarín

Anna Khamzina, Bailarín

Giulia Tonelli, Bailarín

Meiri Maeda, Bailarín

Kevin Pouzou, Bailarín

Rafaelle Queiroz, Bailarín

Jesse Fraser, Bailarín

Katja Wünsche, Bailarín

Dominik Slavovsky, Bailarín

Sujung Lim, Bailarín

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

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Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.