En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Kammermusik no. 1, Op.24 no.1

Barry Humphries’ Weimar Cabaret – a witty, urbane valentine to the musical culture of Germany in the 1920s and 30s, from the opera house to the concert hall to Berlin’s revues and cabarets.

When one sees the word “Erotica” in connection with classical music, one is usually safe in assuming that it’s a misprint in the title of Beethoven’s Third Symphony. And yet, at the Australian Chamber Orchestra’s concert on Saturday, it was no Freudian slip: Erwin Schulhoff’s Sonata Erotica, which the composer suggestively marked “nur für Herren” (for men only), was on the program.

Although Berlioz’s Symphonie Fantastique was the headline work for the September 27th Cleveland Orchestra concert at Severance Hall, the big news was principal oboist Frank Rosenwein’s personal triumph as soloist in Richard Strauss’ 1946 Oboe Concerto, with music director Franz Welser-Möst conducting.

A happy few: that was how Gabriel Kahane referred to his cohorts on stage at the Galapagos Art Space. But there was more than met the eye to Sunday night’s performance.The curtain opened to reveal the stage at the Galapagos Art Space, and there sat the Orpheus Chamber Orchestra, without a conductor. Truthfully, the effect was strange at first.