Barmy, balladic and balmy: three pieces at the Elbphilharmonie

Por Alexander Hall, 27 septiembre 2020

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“punctuation from a single glockenspiel bar, like the chiming of an ormolu clock on the mantelpiece”

Crítica hecha desde Elbphilharmonie: Grand Hall, Hamburg el 27 septiembre 2020

Hindemith, Kammermusik no. 1, Op.24 no.1

Mahler, Lieder eines fahrenden Gesellen (arr. Arnold Schoenberg)

Schubert, Sinfonía núm. 5 en si bemol mayor, D.485

Julian Prégardien, Tenor

Philharmonisches Staatsorchester Hamburg

Kent Nagano, Dirección

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***11

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Olga Neuwirth and Elfriede Jelinek take on Donald Trump in their latest operatic collaboration.

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.