En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sonata for flute, viola and harp

Emanuel Ax joins members of the New York Philharmonic for an afternoon of chamber music at the 92nd Street Y. 

Ulysses Kay's Pietà provided an opportunity to reflect on beauty and the soul of a nation.

Excellent camera work contributed to the transparency and clarity by visualizing the interplay between various instruments and sections in the reduced orchestra, especially the eloquent winds.

Autour de la Sonate pour flûte, alto et harpe de Debussy, trois jeunes talents étaient mis à l'honneur à l'Auditorium du Louvre : Adam Walker, Timothy Ridout et Anneleen Lenaerts.

Along with Debussy and Ravel, this lunchtime programme also celebrated Lili Boulanger and young Slovenian composer Nina Šenk.

Regular concert-goers are used to hearing the harp on a church altar or mixed in with a large symphony, barely audible above the mass of strings, bass and brass. But the St Luke’s Chamber Ensemble put the harp center stage, in an evening of 20th-century French music, no less.

The seventh of the chamber music Proms this year brought together two of the greatest composers of the early 20th century. Though Debussy was twelve years Schoenberg’s senior, of the two works performed it is Schoenberg’s Pierrot Lunaire which was written first, in 1912, with Debussy’s Sonata for flute, viola and harp following three years later in 1915.

The concert opened with BBC newsreader Julia Somerville, summarising news from the year 1915 at an old-fashioned broadcasting desk complete with microphone. It was informative, and set the scene for this recital, one in a series of ‘time capsule’ concerts, solely featuring music composed in 1915 – including two of Debussy’s last chamber pieces.

For those of you who think classical music just isn't your thing, think again. Limelight brings classical music underground to the 100 Club, inviting audiences to experience what classical music can sound, look and feel like.