En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | La traviata: Sempre libera

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale. 

Unlike the conucopia of duets Verdi wrote for soprano and baritone, his music for soprano and bass is much more limited and what exists is not exactly the acme of his output.

The biggest stigma associated with opera in Ireland is not that it is an elitist art form, but that it is not “Irish”, and that it doesn’t belong to Irish culture, more of a recent import, like pasta, or avocado.

In the wide world of impersonal, take-a-number singing competitions, Istanbul’s Leyla Gencer Voice Competition stands out for its unusual TLC of young singers. And its generous selection of prizes.

Operalia is a curious beast among voice competitions. Step onto the stage, belt out your aria and, before you’ve barely had time to acknowledge the applause, the next contestant shuffles along the conveyor belt. A one-shot saloon. 

The Montreal International Musical Competition, this year devoted to voice, ended on a high note with the Winners’ Gala Concert on June 8. First, Second and Third Prize winners sang two arias each, but, in a gratifying show of solidarity with the remaining finalists, the program afforded concertgoers the opportunity to hear the five runners-up as well.

When in 2009 Baltimore Opera Company announced bankruptcy and closed its doors indefinitely, opera lovers were devastated. Being left without opera felt like losing a dear family member. However, sad as they were, Baltimoreans never gave up hope that one day their opera would rise from the ashes and come back in its full grandeur.