En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Mondnacht, Op.39 no.5

Le baryton Ludovic Tézier a donné à entendre un récital de lieder et mélodies particulièrement ambitieux et mené avec une grande intelligence ! Le chant pour le texte et rien que le texte ! 

Two figures occupied Usher Hall’s large stage. More accurately, two performers, as there was also a very focused page turner, removing played pages as though they were explosives. Seated at the piano was Lars Vogt, last seen in this hall during Edinburgh Festival 2012 in a joyous performance of Lutosławski’s Piano Concerto.

How do you get more people interested in classical music? It’s a difficult question, but I’d never have guessed it was difficult enough to give to Sherlock Holmes.

Previously, for me, the term “Chamber Orchestra” has meant an ordinary orchestra, only smaller: apart from the sound being somewhat thinned out and consequently cleaner, I don't expect a fundamentally different experience. Or, didn't, that is, until last night at Cadogan Hall, where I saw the Australian Chamber Orchestra for the first time.

Believe all the hype: Greg Anderson and Elizabeth Joy Roe—more famously called Anderson and Roe—are electric. At Galapagos Art Space in Brooklyn, this piano duo did more than celebrate the launch of their new album; they fashioned an entirely new concert experience.