Musikalische Amerika-Reise mit den Hamburger Symphonikern

Por Isabel Schubert, 05 abril 2016

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“die Hamburger Symphoniker ließen das Lebensgefühl der Goldenen Zwanziger Jahre Einzug halten”

Crítica hecha desde Laeiszhalle: Großer Saal, Hamburg el 3 abril 2016

Weill, The Rise and Fall of the City of Mahagonny: Suite

Copland, Concierto para clarinete

Dvořák, Sinfonía núm. 9 en mi menor, "Del Nuevo Mundo" op. 95

Symphoniker Hamburg – Laeiszhalle Orchester

Sebastian Manz, Clarinete

John Axelrod, Dirección

Revolutionary voices in Hamburg with Sylvain Cambreling

Alexander Hall, 25th May

Three aspects of fate were on display in this intriguing combination of the new, the less familiar and the unashamedly popular given by the Hamburg Symphony Orchestra under its chief conductor.

****1

German Romanticism from Argerich, Cambreling and Symphoniker Hamburg

Alexander Hall, 21st November

The octogenarian phenomenon that is Martha Argerich still has something different to say about Schumann's Piano Concerto, while Sylvain Cambreling adopts a bright and breezy approach to Schubert's Ninth Symphony.

***11

A pianist for all seasons: Argerich crowns festival with a debut

Mark Pullinger, 30th June

Martha Argerich gives a rare solo performance in the final programme of her festival, performing movements from Tchaikovsky's The Seasons for the very first time.

Catriona Morison joins Martha Argerich in outstanding performances

Edward Sava-Segal, 20th June

An enjoyable first live stream of the 2021 edition of the Martha Argerich Festival in Hamburg's Laeiszhalle.

****1

Martha Argerich brings magical Ravel to Hamburg

Chris Garlick, 19th February

A performance of Ravel's concerto to savour as a beacon of light and hope in these dark times.

*****

Argerich, Dutoit and Russian revelry in Hamburg

Alexander Hall, 28th June

Argerich is predictably a force of nature in Tchaikovsky and Dutoit shows his mettle in Ravel and Stravinsky.

****1

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Isabel Schubert

Isabel studierte an der Universität Hamburg Finnougristik und Historische Musikwissenschaft. Heute ist sie als Programmheftredakteurin für die Festspiele Mecklenburg-Vorpommern tätig. Von Kindesbeinen an besuchte Isabel Konzerte in ihrer Heimatstadt Hamburg und erlernte das Klavierspiel und das Singen im Chor. Die große Symphonik des 19. Jahrhunderts, Chormusik sowie die historisch informierte Aufführungspraxis liegen ihr besonders am Herzen.