| Gran Teatre del Liceu | |||
| Giacomo Sagripanti | Dirección | ||
| Emilio Sagi | Dirección de escena, Diseño de escena | ||
| Pepa Ojanguren | Diseño de vestuario | ||
| Coro del Gran Teatre del Liceu | |||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Ruth Iniesta | Soprano | Madame Cortese | 2017 sep 13, 14, 17, 19, 20 |
| Marigona Querkezi | Soprano | Madame Cortese | 2017 sep 15, 18 |
| Sabina Puértolas | Soprano | Contessa di Folleville | 2017 sep 13, 15, 17, 19, 20 |
| Leonor Bonilla | Soprano | Contessa di Folleville | 2017 sep 14, 18 |
| Irina Lungu | Soprano | Corinna | 2017 sep 13, 15, 17, 18, 20 |
| Adriana González | Soprano | Corinna | 2017 sep 14, 19 |
| Maite Beaumont | Mezzosoprano | Marchesa Melibea | 2017 sep 13, 14, 17, 19, 20 |
| Marina Viotti | Mezzosoprano | Marchesa Melibea | 2017 sep 15, 18 |
| Lawrence Brownlee | Tenor | Conte di Libenskof | 2017 sep 13, 15, 17, 18, 20 |
| Levy Sekgapane | Tenor | Conte di Libenskof | 2017 sep 14, 19 |
| Taylor Stayton | Tenor | Chevalier Belfiore | 2017 sep 13, 15, 17, 18, 20 |
| Juan de Dios Mateos Segura | Tenor | Chevalier Belfiore | 2017 sep 14, 19 |
| Roberto Tagliavini | Bajo | Lord Sidney | 2017 sep 13, 15, 17, 19, 20 |
| Baurzhan Anderzhanov | Tenor | Lord Sidney | 2017 sep 14, 18 |
| Manel Esteve Madrid | Tenor | Don Alvaro | 2017 sep 13, 14, 17, 18, 20 |
| Gurgen Baveyan | Bajo | Don Alvaro | 2017 sep 15, 19 |
| Carlos Chausson | Barítono | Barone di Trombonok | 2017 sep 13, 14, 17, 18, 20 |
| Vincenzo Nizzardo | Barítono | Barone di Trombonok | 2017 sep 15, 19 |
| Pietro Spagnoli | Barítono | Don Profondo | 2017 sep 13, 15, 17, 19, 20 |
| Pedro Quiralte | Tenor | Don Profondo | 2017 sep 14, 18 |
| Alessio Cacciamani | Bajo | Don Prudenzio | |
| Tamara Gura | Mezzosoprano | Modestina |
Hilarious satire of the old aristocracy with a cast of great soloists
En route to celebrate the coronation of French King Charles X, an eccentric group of aristocrats and officials arrange to spend the night at the Golden Lily spa, in the Lorraine region. Rossini’s last opera revisits the Liceu with hilarious stage direction by Emilio Sagi, who turns the opera into an ingenious performance.
A true work of genius, Il viaggio a Reims contains a stream of arias and concertante compositions (like the one written for fourteen soloists) with undeniable quality and originality, many of which Rossini “recycled” three years later for Le Comte Ory. The skilled singers, which include prestigious Rossinian performers alongside emerging young talents, are conducted by Giacomo Sagripanti, a specialist in Rossini and winner of the Young Conductor of the Year award at the 2016 International Opera Awards in London.
Approximate running time 2 hours 45 mins.
Tickets on sale from June 2017
