| Gran Teatre del Liceu | |||
| Giacomo Sagripanti | Direction | ||
| Emilio Sagi | Mise en scène, Décors | ||
| Pepa Ojanguren | Costumes | ||
| Coro del Gran Teatre del Liceu | |||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Ruth Iniesta | Soprano | Madame Cortese | 2017 sept. 13, 14, 17, 19, 20 |
| Marigona Querkezi | Soprano | Madame Cortese | 2017 sept. 15, 18 |
| Sabina Puértolas | Soprano | Contessa di Folleville | 2017 sept. 13, 15, 17, 19, 20 |
| Leonor Bonilla | Soprano | Contessa di Folleville | 2017 sept. 14, 18 |
| Irina Lungu | Soprano | Corinna | 2017 sept. 13, 15, 17, 18, 20 |
| Adriana González | Soprano | Corinna | 2017 sept. 14, 19 |
| Maite Beaumont | Mezzo-soprano | Marchesa Melibea | 2017 sept. 13, 14, 17, 19, 20 |
| Marina Viotti | Mezzo-soprano | Marchesa Melibea | 2017 sept. 15, 18 |
| Lawrence Brownlee | Ténor | Conte di Libenskof | 2017 sept. 13, 15, 17, 18, 20 |
| Levy Sekgapane | Ténor | Conte di Libenskof | 2017 sept. 14, 19 |
| Taylor Stayton | Ténor | Chevalier Belfiore | 2017 sept. 13, 15, 17, 18, 20 |
| Juan de Dios Mateos Segura | Ténor | Chevalier Belfiore | 2017 sept. 14, 19 |
| Roberto Tagliavini | Basse | Lord Sidney | 2017 sept. 13, 15, 17, 19, 20 |
| Baurzhan Anderzhanov | Ténor | Lord Sidney | 2017 sept. 14, 18 |
| Manel Esteve Madrid | Ténor | Don Alvaro | 2017 sept. 13, 14, 17, 18, 20 |
| Gurgen Baveyan | Basse | Don Alvaro | 2017 sept. 15, 19 |
| Carlos Chausson | Baryton | Barone di Trombonok | 2017 sept. 13, 14, 17, 18, 20 |
| Vincenzo Nizzardo | Baryton | Barone di Trombonok | 2017 sept. 15, 19 |
| Pietro Spagnoli | Baryton | Don Profondo | 2017 sept. 13, 15, 17, 19, 20 |
| Pedro Quiralte | Ténor | Don Profondo | 2017 sept. 14, 18 |
| Alessio Cacciamani | Basse | Don Prudenzio | |
| Tamara Gura | Mezzo-soprano | Modestina |
Hilarious satire of the old aristocracy with a cast of great soloists
En route to celebrate the coronation of French King Charles X, an eccentric group of aristocrats and officials arrange to spend the night at the Golden Lily spa, in the Lorraine region. Rossini’s last opera revisits the Liceu with hilarious stage direction by Emilio Sagi, who turns the opera into an ingenious performance.
A true work of genius, Il viaggio a Reims contains a stream of arias and concertante compositions (like the one written for fourteen soloists) with undeniable quality and originality, many of which Rossini “recycled” three years later for Le Comte Ory. The skilled singers, which include prestigious Rossinian performers alongside emerging young talents, are conducted by Giacomo Sagripanti, a specialist in Rossini and winner of the Young Conductor of the Year award at the 2016 International Opera Awards in London.
Approximate running time 2 hours 45 mins.
Tickets on sale from June 2017
