Dramaturg Aleš Březina explores Bohuslav Martinů’s unique operatic forey into the world of dreams, which combined avant garde surrealism with a wide array Czech musical influences.
For a Parisian, the accordion is the musical instrument most redolent of memories and dreams. So for Bohuslav Martinů's surrealist opera Julietta, written in Paris and infused with a discombobulating jumble of memories and dreams, Antony McDonald's sets were masterpieces: in each of three acts, the stage is dominated by a giant accordion which is more or less the size of the whole stage.
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