Puccini, Giacomo (1858-1924) | La bohème | Libreto de Luigi Illica, Giuseppe Giacosa |
Teatro Real | |||
Paolo Carignani | Dirección | ||
Richard Jones | Dirección de escena | ||
Stewart Laing | Diseño de escena | ||
Alan Barnes | Director de reposición | ||
Coro Titular del Teatro Real | |||
Orquesta Titular del Teatro Real | |||
Stephen Costello | Tenor | Rodolfo | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Piero Pretti | Tenor | Rodolfo | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
Anita Hartig | Soprano | Mimì | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Yolanda Auyanet | Soprano | Mimì | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
Étienne Dupuis | Barítono | Marcello | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Alessandro Luongo | Bajo | Marcello | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
Joyce El-Khoury | Soprano | Musetta | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Carmen Romeu | Soprano | Musetta | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
Joan Martín-Royo | Bajo | Schaunard | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Manel Esteve Madrid | Tenor | Schaunard | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
Mika Kares | Bajo | Colline | 2017 dic 11, 14, 17, 19, 23, 26, 29, 2018 ene 02, 04, 07 |
Fernando Javier Radó | Bajo | Colline | 2017 dic 12, 15, 18, 20, 25, 27, 30, 2018 ene 03, 08 |
José Manuel Zapata | Tenor | Benoît | |
Roberto Accurso | Barítono | Alcindoro |
Very few operas in the history of the genre have conveyed the fragility of happiness as La bohème. The intense love between Mimì and Rodolfo battles to survive, without success, beset by the hardships of poverty, severe cold and misfortune. In its tragic conclusion, we see the characteristically grim reality of Italian verismo. To put music to his story, Giacomo Puccini used a refined harmonic language and a series of extraordinarily beautiful melodies, to give life to a young group of Parisian artists of the 19th century, who dream that a stroke of good luck will bring them success.
All too briefly, the cruel end which awaits these characters is eased with the delicacy of Mimi, a perfect portrait of a kind-hearted, virtuous woman who is cheated by destiny. The premiere was conducted by a young Arturo Toscanini, and despite the initially cool reaction by the audience and critics, it was not long before La bohème became an essential pillar of romantic Italian repertory.
New production by the Teatro Real, in co-production with the Royal Opera House Covent Garden