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Intérprete: Stephen Costello

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Santa FeMadama Butterfly

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Puccini: Madama Butterfly
Lee Blakeley; Santa Fe Opera; Jean-Marc Puissant; Brigitte Reiffenstuel; Rick Fisher; Santa Fe Opera Orchestra

EdinburghVerdi’s A Masked Ball

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Verdi: Un ballo in maschera
Gianandrea Noseda; Adele Thomas; Zurich Opera; Hannah Clark; Franck Evin; Zurich Opera Chorus

Nueva YorkLa bohème

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Puccini: La bohème
Ramón Tebar; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
Últimas críticasVer más...

La bohème en el Real, o las bambalinas del verismo

Los figurines y la escenografía austera de Stewart Laing se contrastan con el ensueño, resuelto de forma notable por Stephen Costello en una maravillosa Che gelida manina, y la réplica, ascendente pero no menos cautivadora, de Anita Hartig

Nucci protagoniza Rigoletto en el Teatro Real

Un notable reparto vocal y un cantante leyenda para una producción de claroscuros.

Butterfly entre vrai classicisme et faux avant-gardisme à Genève

Madame Butterfly à Genève © Carole Parodi
La metteuse en scène tchèque Barbora Horáková propose une direction d’acteur précise et efficace, au milieu d'écrans vidéo avec lesquels la proposition a du mal à fusionner.

Canadian Opera Company opens season with Roméo et Juliette

Stephen Costello (Roméo) and Kseniia Proshina (Juliette) © Michael Cooper
Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season. 

Heggie’s newly staged Moby Dick lands triumphantly at the Met

Peter Mattei (Starbuck) © Karen Almond | Met Opera

Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.  

Superb cast galvanizes the Met’s revival of Bartlett Sher’s Rigoletto

Quinn Kelsey (Rigoletto) and Nadine Sierra (Gilda) © Nina Wurtzel | Met Opera
This revival of the company’s 2019 Weimar-inspired staging of Verdi’s heartbreaking masterpiece is distinguished by stylish singing.