Komische Oper Berlin | |||
James Gaffigan | Dirección | ||
Barrie Kosky | Dirección de escena | ||
Katrin Lea Tag | Diseño de escena, Diseño de vestuario | ||
Olaf Freese | Diseño de iluminación | ||
Orchester der Komischen Oper Berlin | |||
Chor der Komischen Oper Berlin | |||
David Cavelius | Dirección de coro | ||
Christopher Purves | Barítono | Sweeney Todd | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Dagmar Manzel | Soprano | Mrs Lovett (Nellie Lovett) | 2024 nov 17, 21, 24, 28, dic 08, 31, 2025 ene 04 |
Rosie Aldridge | Mezzosoprano | Mrs Lovett (Nellie Lovett) | 2024 dic 11, 14, 23, 28 |
Hubert Zapiór | Barítono | Anthony Hope | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Alma Sadé | Soprano | Johanna Baker | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Tom Schimon | Tenor | Tobias Ragg | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Jens Larsen | Bajo | Judge Turpin | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
James Kryshak | Tenor | Beadle Bamford | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Sigalit Feig | Mezzosoprano | Beggar Woman | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
Ivan Turšić | Tenor | Adolfo Pirelli | 2024 nov 17, 21, 24, 28, dic 08, 11, 14, 23, 28, 31, 2025 ene 04 |
With this grand musical on the stage of the Schiller Theatre, director Barrie Kosky reveals himself to be a master of the macabre. An equally dark and delightfully chilling thriller by Stephen Sondheim about the bloody revenge inflicted by the legendary London barber Sweeney Todd. And in the role of meat-pie queen Mrs Lovett: the fabulous Dagmar Manzel!
London, in all its dreariness. Benjamin Barker, an upstanding barber of humble beginnings, is unjustly sentenced to a long prison term by Judge Turpin, who has his eye on Barker’s beautiful wife. Years later, Barker returns with only one thing on his mind: revenge. He learns from Mrs Lovett, the completely burnt-out but business-savvy owner of a meat-pie shop, that his wife has killed herself. And so Benjamin Barker, alias Sweeney Todd, not only embarks on an extremely efficient campaign of revenge, he also joins forces with his informant to start a flourishing joint venture in the meat-pie business …
The story of the ‘demonic barber of Fleet Street’ who became a mass murderer first appeared in 1846 as a penny dreadful entitled The String of Pearls, and has since served as the basis for numerous dramatic and cinematic adaptations. In composing this thriller musical, Sondheim drew inspiration from film soundtracks as well as Richard Wagner’s use of leitmotif. Barrie Kosky stages his vision of this classic musical as a ‘children’s theatre nightmare collage’, revelling in that lust for horror, wavering between disgust and laughter, that has always fascinated audiences.
He mercilessly digs into the question of what humans are capable of when they follow the logic of revenge to the bitter end, and what’s at stake in the process.