Nuestra política de privacidad se actualizó por última vez el viernes 31 enero 2020Consultar aquíEliminar
Bachtrack logo
Jóvenes artistas

The Queen of Spades (Pique Dame)

Gran Teatre del Liceu: SalaBarcelona, Cataluña, 08002, España
Fechas/horas en zona horaria de Madrid
miércoles 26 enero 202219:00
jueves 27 enero 202219:00
lunes 31 enero 202219:00
martes 01 febrero 202219:00
miércoles 02 febrero 202219:00
viernes 04 febrero 202219:00
sábado 05 febrero 202219:00
domingo 06 febrero 202217:00
martes 08 febrero 202219:00
jueves 10 febrero 202219:00
Ver 1 más fechas
Gran Teatre del Liceu
Dmitri JurowskiDirector
Gilbert DefloDirector de escena
William OrlandiDiseño de escena, Diseño de vestuario
Albert FauraDiseño de iluminación
Yusif EyvazovTenorHermannene 26, feb 01, 05, 08, 11
Martin MuehleTenorHermannene 27, 31, feb 02, 04, 06, 10
Sondra RadvanovskySopranoLisaene 26, feb 01, 05, 08, 11
Lianna HaroutounianSopranoLisaene 27, 31, feb 02, 04, 06, 10
Lena BelkinaMezzosopranoPolinaene 26, feb 02, 04, 06, 08, 10, 11
Christina FausContraltoPolinaene 27, 31, feb 01, 05
Elena ZarembaMezzosopranoThe Countessene 26, feb 01, 05, 08, 11
Dolora ZajickMezzosopranoThe Countessene 27, 31, feb 02, 04, 06, 10
Łukasz GolińskiBarítonoTomskyene 26, feb 01, 05, 08, 11
Gevorg HakobyanBarítonoTomskyene 27, 31, feb 02, 04, 06, 10
Rodion PogossovBarítonoYeletskyene 26, feb 01, 05, 08, 11
Andrey ZhilikhovskyBarítonoYeletskyene 27, 31, feb 02, 04, 06, 10
Antonio LozanoTenorChaplitsky
Ivo StanchevBajoSurin
David AlegretTenorChekalinsky
Gemma Coma-AlabertMezzosopranoMasha
Mireia PintóMezzosopranoThe Governess
Veus - Cor Infantil Amics de la Unió
Coro del Gran Teatre del Liceu
Conxita GarciaDirector del coro
Orquesta Sinfónica del Gran Teatre del Liceu

Production: Gran Teatre del Liceu

Thanks to his brother Modest's libretto, based on a free adaptation of a tale by Pushkin, P. I. Tchaikovsky was able to respond in just 44 days to a commission from the Russian Imperial Theatres and Pikovaya Dama was born.

For the young Herman, paradise consists of rising in society and gambling. He accordingly sacrifices his love for Lisa to his obsession with finding a magic formula for winning at cards which is in the possession of an old countess. After driving Lisa to suicide, Herman himself dies, deceived by the Countess's ghost.

The tragedy of this complex Romantic hero, haunted by his passion for gambling and driven by fate to the loss of his lover and to crime and death, is counterpointed by elements from the world of dreams and the supernatural.

Gilbert Deflo's opulent production transports us to a far-off age and underscores the composer's own scathing portrait of society, for beneath the amiable appearance of the Russia of Catherine the Great, a lost generation lies hidden. Tchaikovsky's score evokes the court, streets and river banks of Saint Petersburg through the deliberate recreation of 18th century musical forms and allusions to popular and religious music but never sacrifices his characteristically fervent lyricism. The Queen of Spades ranks alongside Eugene Onegin as his greatest contribution to the world of opera.

Mobile version