Streams ahead: a guide to best online practice

Sir Mark Elder and the LPO under the spotlights

Rinat Shaham, Gábor Bretz, Karina Canellakis and the NRPO

Daniel Barenboim conducts the Berlin Philharmonic

Boris Godunov at Zurich Opera

Karita Mattila in Covid fan tutte

Foyer chat – and drinks – in Bergamo

The Nash Ensemble

Emily Kikta of NYCB in Sidra Bell’s pixelation in a wave (Within Wires)

Joana Mallwitz introduces Schubert's C major at the Konzerthaus

Sarah Hayashi (Fire) in L’Enfant et les sortilèges

Por Mark Pullinger, 07 diciembre 2020

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“What do you offer audiences beyond pointing cameras and microphones at musicians in an empty room?”

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.