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Intérprete: Aarón Sanz

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Savoring the glories of a timeless all-Balanchine program with NYCB

Isabella LaFreniere and Chun Wai Chan in George Balanchine's Episodes © Paul Kolnick
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

NYCB's program of contrasts makes a full-course meal

Emma Von Enck and Jules Mabie in George Balanchine's Scotch Symphony © Erin Baiano
A wonderfully varied triple bill for NYCB allowing the company to shine across all ranks.

NYCB: Jerry's first and last!

Roman Mejia in Jerome Robbins' Fancy Free © Erin Baiano
Audience response for all three ballets was extremely enthusiastic. From 1944 to 1997, Jerry knew how to please audiences.

NYCB: spring season's new ballets draw a younger, more diverse crowd

New York City Ballet in Christopher Wheeldon's From You Within Me © Erin Baiano
 Both the new works are accessible ballets in the neoclassical style that is typical of the company.

NYCB spring season gets off to a rather bumpy start

Unity Phelan and Tyler Angle with NYCB in Concerto Barocco © Erin Baiano
Recent retirements within NYCB have resulted in uneven performances, but there is still hope for future spring programs.

Seasonal fun in NYCB's All Robbins double bill

The Four Seasons is such a happy, appealing ballet that the audience barely notice any unsteady moments.