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Performer: Aarón Sanz

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Savoring the glories of a timeless all-Balanchine program with NYCB

Isabella LaFreniere and Chun Wai Chan in George Balanchine's Episodes © Paul Kolnick
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
****1
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NYCB's program of contrasts makes a full-course meal

Emma Von Enck and Jules Mabie in George Balanchine's Scotch Symphony © Erin Baiano
A wonderfully varied triple bill for NYCB allowing the company to shine across all ranks.
****1
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NYCB: Jerry's first and last!

Roman Mejia in Jerome Robbins' Fancy Free © Erin Baiano
Audience response for all three ballets was extremely enthusiastic. From 1944 to 1997, Jerry knew how to please audiences.
****1
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NYCB: spring season's new ballets draw a younger, more diverse crowd

New York City Ballet in Christopher Wheeldon's From You Within Me © Erin Baiano
 Both the new works are accessible ballets in the neoclassical style that is typical of the company.
***11
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NYCB spring season gets off to a rather bumpy start

Unity Phelan and Tyler Angle with NYCB in Concerto Barocco © Erin Baiano
Recent retirements within NYCB have resulted in uneven performances, but there is still hope for future spring programs.
**111
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Seasonal fun in NYCB's All Robbins double bill

The Four Seasons is such a happy, appealing ballet that the audience barely notice any unsteady moments. 
****1
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