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Staatsoper Hamburg's new Boris Godunov traverses Russian history
Opening the new opera season, Kent Nagano powerfully directs Mussorgsky's great psychodrama about a famous tsar, marred only by Frank Castorf's visually confusing and symbolically overweighted production.
Schön wie eine Sternschnuppe: Manon an der Staatsoper Hamburg
Mit Elsa Dreisig in Hochform, einer packenden Inszenierung und großen musikalischen Emotionen landet die Hamburgische Staatsoper einen Volltreffer.
An immersive auto-da-fé: Konwitschny's Don Carlos sizzles
From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival.
Hamburg's Die Tote Stadt: excellent singing but muddled staging
Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.
Closer to St. Trinian’s than Braveheart: Lucia in Hamburg
Neither Sir Walter Scott nor Donizetti were well served by the farcical staging, but finally bellissimo bel canto prevailed over the production.
Staff issues: Mozart's Figaro in Hamburg
Mozart's very notes become servant to the cause in an ingenious staging of Le nozze di Figaro by one of today's most esteemed directors.