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Staatsoper Hamburg's new Boris Godunov traverses Russian history
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Opening the new opera season, Kent Nagano powerfully directs Mussorgsky's great psychodrama about a famous tsar, marred only by Frank Castorf's visually confusing and symbolically overweighted production.
An immersive auto-da-fé: Konwitschny's Don Carlos sizzles
From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival.
Hamburg's Die Tote Stadt: excellent singing but muddled staging
Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.