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Una Madama Butterfly poco convincente en Tenerife
La Ópera de Tenerife recupera la clásica producción de Stefano Monti con un éxito relativo.
The ghost of Maria Callas: Greek National Opera’s Medea at Epidaurus
To rebuild Maria Callas’s 1961 Medea is to invite the cruellest comparisons in opera. For most of a single night at Epidaurus, Greek National Opera withstands it, but then comes the final act...
Héroïque Gioconda à l’Opéra national de Grèce
L'opéra d’Amilcare Ponchielli ouvre de fort belle manière la saison athénienne, avec une mise en scène audacieuse et convaincante d'Oliver Mears et un beau plateau vocal.
A new Onegin underwhelms at La Scala
Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna.
No rust on Glyndebourne’s classic The Rake’s Progress
It's been in the Glyndebourne rep for almost fifty years, but John Cox's production, complete with Hockney's iconic set, remains timeless. Robin Ticciati's superb conducting and an excellent cast made this latest revival a complete success.
Riccardo Muti concludes Chicago tenure with a divine Missa solemnis
Riccardo Muti selects Beethoven’s daunting Missa solemnis for his final performance as Music Director of the Chicago Symphony, a performance that proves worthy of his remarkable tenure.