No rust on Glyndebourne’s classic The Rake’s Progress

Carole Wilson (Mother Goose), Thomas Atkins (Tom Rakewell), Sam Carl (Nick Shadow)

Thomas Atkins (Tom Rakewell), Louise Alder (Anne Trulove)

Rupert Charlesworth (Sellem)

Alisa Kolosova (Baba the Turk)

Por Dominic Lowe, 06 agosto 2023

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“Hockney's etched sets ... still elicit gasps as the vibrant front cloth goes up”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 4 agosto 2023

Stravinsky, The Rake's Progress

Glyndebourne Festival Opera

Robin Ticciati, Dirección

John Cox, Dirección de escena

David Hockney, Diseño de escena

Robert Bryan, Diseño de iluminación

London Philharmonic Orchestra

The Glyndebourne Chorus

Thomas Atkins, Tom Rakewell

Sam Carl, Nick Shadow

Louise Alder, Anne Trulove

Alisa Kolosova, Baba the Turk

Carole Wilson, Mother Goose

Ru Charlesworth, Sellem

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

No rust on this rake: a strong revival of Glyndebourne's classic The Rake's Progress