En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anita Rachvelishvili

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***11

Naples

20 nov 2024

Tcherniakov’s bold reading of Rusalka opens the season in Naples

Por Lorenzo Fiorito

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Tomb Raider: Sonja Frisell’s Aida exhumed one last time at the Met

Por Kevin W Ng, 13 diciembre 2022

A loud, unsubtle performance of a loud, unsubtle production – the Met really deserves a new Aida.

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Nueva York

13 dic 2022

Tomb Raider: Sonja Frisell’s Aida exhumed one last time at the Met

Por Kevin W Ng

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Naples

Samson et Dalila catches fire at the Teatro di San Carlo

Por Lorenzo Fiorito, 29 septiembre 2022

Argentinian film director Damián Szifron's production is lauded in Naples, as are star soloists Anita Rachvelishvili and Brian Jagde.

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Naples

29 sep 2022

Samson et Dalila catches fire at the Teatro di San Carlo

Por Lorenzo Fiorito

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La Khovantchina : Khovansky et ses troupes à l'assaut de la Bastille

Por Stéphane Lelièvre, 09 febrero 2022

Belle reprise de La Khovantchina à l'Opéra Bastille, où triomphent les forces de la maison, mais aussi Anita Rachvelishvili !

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París

09 feb 2022

La Khovantchina : Khovansky et ses troupes à l'assaut de la Bastille

Por Stéphane Lelièvre

Viena

Zeitlos und kitschfrei: Calixto Bieitos Carmen an der Wiener Staatsoper

Por Isabella Steppan, 21 febrero 2021

An der Wiener Staatsoper läutet Calixto Bieitos Inszenierung eine neue Carmen-Ära ein; die Besetzung bietet hohes Premieren-Niveau.

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Viena

21 feb 2021

Zeitlos und kitschfrei: Calixto Bieitos Carmen in Wien

Por Isabella Steppan

Milán

A triumphant Aida in concert at La Scala to defy the pandemic

Por Laura Servidei, 09 octubre 2020

Riccardo Chailly leads a splendid cast in Verdi’s masterpiece as La Scala leads the way in these troubled times, when the opera world is so volatile and fragile, by focusing on the music, holding onto artistic values.

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Milán

09 oct 2020

A triumphant Aida in concert at La Scala to defy the pandemic

Por Laura Servidei

Naples

Everyone returns victorious in San Carlo's Aida

Por Lorenzo Fiorito, 28 julio 2020

With their second open-air concert performance, Teatro di San Carlo scores another hit.

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Naples

28 jul 2020

Everyone returns victorious in San Carlo's Aida

Por Lorenzo Fiorito

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger, 01 diciembre 2019

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

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París

01 dic 2019

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger

La première de Don Carlo à Bastille laisse sans voix

Por Georgiana Hatara, 25 octubre 2019

Dans la mise en scène de Warlikowski créée en 2017, Don Carlo est de retour à Bastille, cette fois-ci dans sa version italienne. Une franche réussite malgré l'état grippal de Roberto Alagna.

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París

25 oct 2019

La première de Don Carlo à Bastille laisse sans voix

Por Georgiana Hatara

Ámsterdam

Season opener Pagliacci/Cavalleria Rusticana sets the bar high at Dutch National Opera

Por Jenny Camilleri, 05 septiembre 2019

Exceptional singing, an auspicious conducting debut and a staging that is both sophisticated and emotionally involving make this production an unequivocal winner.

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Ámsterdam

05 sep 2019

Pagliacci/Cavalleria Rusticana sets the bar high at DNO

Por Jenny Camilleri

Salzburgo

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye, 15 agosto 2019

Riccardo Muti conducted a stirring performance of Verdi's Requiem to mark the 30th anniversary of Karajan's death.

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Salzburgo

15 ago 2019

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye

Hamburg

Barenboim and the Staatskapelle Berlin spice up their repertoire

Por Alexander Hall, 15 mayo 2019

A concerto was the sandwich, and a very fine one too, but no overture and no symphony: who else would have married Skalkottas and Prokofiev with Mozart's last piano concerto?

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Hamburg

15 may 2019

Barenboim and the Staatskapelle Berlin spice up their repertoire

Por Alexander Hall

Aux bonheurs du drame : Carmen à l'Opéra Bastille

Por Tristan Labouret, 11 abril 2019

Le duo constitué par Jean-François Borras et Anita Rachvelishvili signe une performance de choix dans l'opéra de Bizet. Mise en scène et direction musicale laissent plus de motifs de satisfaction que de regrets.

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París

11 abr 2019

Aux bonheurs du drame : Carmen à l'Opéra Bastille

Por Tristan Labouret

Londres

In the limelight: the ROH Orchestra gets to shine on stage

Por Matthew Rye, 08 febrero 2019

Georgian mezzo Anita Rachvelishvili’s sequence of Rachmaninov songs were a highlight of an all-Russian programme conducted by Antonio Pappano.

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Londres

08 feb 2019

In the limelight: the ROH Orchestra gets to shine on stage

Por Matthew Rye

Stars light up Cilea's humid potboiler at the Met

Por Robert Levine, 08 enero 2019

Although Adriana Lecouvreur could never be referred to as one of the world’s greatest operas, Anna Netrebko, Anita Rachvelishvili and Piotr Beczała give it the star treatment at the Metropolitan Opera.

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Nueva York

08 ene 2019

Stars light up Cilea's humid potboiler at the Met

Por Robert Levine

At The Met, Netrebko triumphs as Aida, with Rachvelishvili a powerful rival

Por Ako Imamura, 26 septiembre 2018

Netrebko met the audience’s high expectations, as she does every time, conquering the challenges with her remarkable artistry.

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Nueva York

26 sep 2018

Netrebko triumphs as Aida at The Met

Por Ako Imamura

À Bastille, Le Trouvère donne de la voix

Por Tristan Labouret, 23 junio 2018

Cantatrices en tête, un casting vocal prestigieux (Radvanovsky, Rachvelishvili, Alvarez, Lucic) assure le succès du célèbre opéra de Giuseppe Verdi. La mise en scène d'Alex Ollé déçoit.

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París

23 jun 2018

À Bastille, Le Trouvère donne de la voix

Por Tristan Labouret

Mirga Gražinytė-Tyla: A charming yet forceful first appearance on the Carnegie Hall rostrum

Por Edward Sava-Segal, 18 mayo 2018

Gražinytė-Tyla conveyed the impression of allowing her players a certain freedom to express themselves while commanding the overall forces towards a preset goal.

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Nueva York

18 may 2018

Mirga Gražinytė-Tyla's Carnegie Hall debut

Por Edward Sava-Segal

Berlín

Rachvelishvili triumphs as Azucena in Berlin

Por Laura Servidei, 12 mayo 2018

In a dated production by Hans Neuenfels, conductor Giacomo Sagripanti leads a musically successful Trovatore, where Angela Meade and Anita Rachvelishvili show their vocal brilliance.

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Berlín

12 may 2018

Rachvelishvili triumphs as Azucena in Berlin

Por Laura Servidei

Roma

Opera as circus: a controversial Cav & Pag double bill in Rome

Por Mark Pullinger, 05 abril 2018

Pippo Delbono, an advocate of experimental theatre, tests the audience's patience at Opera di Roma, masking some enjoyable musical performances.

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Roma

05 abr 2018

Opera as circus: a controversial Cav & Pag in Rome

Por Mark Pullinger

Exquisite musicianship in Met's revival of Il trovatore

Por Edward Sava-Segal, 22 enero 2018

Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili

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Nueva York

22 ene 2018

Exquisite musicianship in Met's revival of Il trovatore

Por Edward Sava-Segal

Londres

Anita Rachvelishvili takes the honours in Covent Garden's Il trovatore

Por David Karlin, 31 enero 2017

An outstanding Azucena and solid vocal and orchestral performances more than make up for David Bösch's unappealing staging.

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Londres

31 ene 2017

Anita Rachvelishvili takes the honours in ROH Trovatore

Por David Karlin

Londres

Comic strip Trovatore a damp squib at the Royal Opera

Por Mark Pullinger, 04 diciembre 2016

The Marx Brothers famously sent up Verdi's middle period masterpiece in A Night at the Opera and if Bösch doesn't exactly send up Trovatore's corrosive cocktail of infanticide, jealousy and vengeance, he undermines it with his staging.

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Londres

04 dic 2016

Comic strip Trovatore a damp squib at the Royal Opera

Por Mark Pullinger

Samson et Dalila à l’Opéra Bastille : une transposition moderne et brutale controversée

Por Anne-Laure Faubert, 04 octubre 2016

En faisant le choix d’une modernité parfois triviale et brutale, cette nouvelle production déçoit quelque peu malgré la grande qualité du plateau vocal et musical.

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París

04 oct 2016

Samson et Dalila à Bastille : moderne, brutale

Por Anne-Laure Faubert

Houleuse Aïda à Bastille : sous les huées, la rage

Por Suzanne Lay-Canessa, 13 junio 2016

Loin de toute la monumentalité qui a pu rendre indigestes les belles mélopées et accents verdiens, souvent cantonnées aux grandes pompes et à un logos lourdement orientaliste, cet opéra à l’écriture pourtant raffinée, et à la profondeur mésestimée, méritait une telle relecture.

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París

13 jun 2016

Houleuse Aïda à Bastille : sous les huées, la rage

Por Suzanne Lay-Canessa

Ámsterdam

Loy's minimalist staging clarifies Khovanshchina in Amsterdam

Por Nicolas Nguyen, 27 febrero 2016

Christof Loy’s minimalist staging for Khovanshchina at Dutch National Opera has the advantage of clarifying a reputedly fragmented plot.

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Ámsterdam

27 feb 2016

Loy's minimalist staging clarifies Khovanshchina in Amsterdam

Por Nicolas Nguyen

Milán

A Verdian feast from Peter Stein and Zubin Mehta in La Scala's full fat Aida

Por James Imam, 21 febrero 2015

With elegant sets and superlative musicianship, Verdi came to life in the House where he is revered most. This musical feast will have us licking our lips for some time yet.

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Milán

21 feb 2015

A Verdian feast in La Scala's full fat Aida

Por James Imam

Fire and ice: Rachvelishvili and Antonenko lead a successful Carmen revival at The Met

Por Ako Imamura, 30 septiembre 2014

The Met's revival of Carmen, with its rotating set, has a successful opening night with a strong cast, an insightful conductor, a superb orchestra and chorus, all working well as a team.

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Nueva York

30 sep 2014

Fire and ice: Carmen at The Met

Por Ako Imamura

Toronto

Don Quichotte enchants with luscious singing and whimsical design

Por Catherine Kustanczy, 09 mayo 2014

Don Quichotte makes its Canadian Opera Company debut in triumphant fashion, offering an elegant visual feast in addition to a trio of magnificent, magnetic performances.

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Toronto

09 may 2014

Don Quichotte enchants with luscious singing and whimsical design

Por Catherine Kustanczy

An heroic and harrowing Prince Igor at the Met Opera

Por Rebecca Lentjes, 06 febrero 2014

Even the best opera glasses would be no match for the intensity of this close-up introspection: a new production of Borodin's Prince Igor is playing at the Met.

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Nueva York

06 feb 2014

Metropolitan Opera: Prince Igor

Por Rebecca Lentjes

Gheorghiu and Kaufmann bring romance to Carnegie Hall in Adriana Lecouvreur

Por Zerbinetta, 08 noviembre 2011

“I will return! I want to again be intoxicated by the triumphant smile of art!” proclaims the actress Adriana Lecouvreur in the extravagant opera of the same title. With this role, the soprano Angela Gheorghiu returned to New York in the first performance of the Opera Orchestra of New York’s Carnegie Hall season.

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