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Performer: Beate Mordal

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Innocence: Saariaho’s final opera receives New York premiere

Joyce DiDonato (the Waitress) and Vilma Jää (Markéta) © Karen Almond | Met Opera
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 
*****
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Intriguing, mysterious, intense: Picture a day like this at the ROH

Ema Nikolovska (Woman) and John Brancy (Artisan) © ROH | Camilla Greenwell
Sir George Benjamin and Martin Crimp’s new chamber opera receives a powerful UK premiere in the Linbury Studio at Covent Garden. 
****1
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Lessons in grief: Picture a day like this triumphs in Aix

Marianne Crebassa (The Woman) © Jean-Louis Fernandez
Sir George Benjamin and Martin Crimp’s fourth opera shares the best qualities of their previous work but is an inspiring, breathtaking fable.
*****
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Urgent and intense: Innocence opens at the Royal Opera House

Vilma Jää (Markéta) and Jenny Carlstedt (Waitress) © ROH | Tristram Kenton
Kaija Saariaho's opera – staged by Simon Stone and the hit of the 2021 Aix-en-Provence Festival – makes its UK debut.
****1
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Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera. 
****1
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Blissful soprano singing: Ariadne in Aix

Rupert Charlesworth (Dancing Master), Sabine Devieilhe (Zerbinetta) and troupe © Pascal Victor / Artcompress
Lise Davidsen and Sabine Devieilhe produce soprano heaven in their contrasting vocal styles. Katie Mitchell’s staging feels disappointingly familiar.
***11
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