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Intérprete: Bogdan Volkov

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MúnichFalstaff

Falstaff
Verdi: Falstaff
Pinchas Steinberg; Mateja Koležnik; Bayerische Staatsoper; Raimund Orfeo Voigt; Ana Savić-Gecan; Wolfgang Koch; Olga Bezsmertna
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Eugen Onegin oder: Gepflegte Langeweile an der Wiener Staatsoper

Andrè Schuen (Eugen Onegin) und Nicole Car (Tatjana) © Michael Pöhn | Wiener Staatsoper GmbH

Dmitri Tcherniakovs Inszenierung geht beharrlich gegen Text und Musik und sorgt für eine leidenschaftslose Vorstellung am Halloween-Abend.

School for lovers: Loy’s bitter lessons at the Salzburg Festival

Andrè Schuen (Guglielmo), Elsa Dreisig (Fiordiligi), Marianne Crebassa (Dorabella) © Salzburg Festival | Monika Rittershaus
It's difficult to believe Salzburg could have cast a finer Così in Loy's Covid-reduced production in the Großes Festspielhaus.

Alone and in love: Christoph Loy’s compelling new Onegin in Oslo

Svetlana Aksenova (Tatyana) and Audun Iversen (Onegin) © Erik Berg
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.

Listen with Mother: Tsar Saltan as autism parable at La Monnaie

Svetlana Aksenova (Militrisa) and Bogdan Volkov (Gvidon) © Forster
Dmitri Tcherniakov's staging turns Rimsky-Korsakov's opera into storytelling for an autistic boy, but does he deliver a fairy tale ending? 

Le Conte du Tsar Saltan à La Monnaie : un pur enchantement

Svetlana Aksenova (la Tsarine Militrisa) © Forster
L'opéra peu connu de Rimsky-Korsakov bénéficie de la géniale mise en scène de Dmitri Tcherniakov et d'une distribution de toute beauté.

Champagne without the fizz: Tcherniakov's Betrothal in a Monastery

Lauri Vasar, Goran Jurić, Violeta Urmana, Aida Garifullina (Luisa) und Bogdan Volkov © Ruth and Martin Walz
The Russian director's role play production of Prokofiev's comedy falls flat at the Staatsoper.