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Carlo Rizzi, conductor

Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza | Carlo Rizzi
OUR INTERVIEW WITH CARLO RIZZI
Carlo Rizzi © Tessa Traeger

Carlo Rizzi’s view from the pit

Carlo Rizzi's talks about directors, audiences and the art of conducting Italian opera ahead of a busy spring schedule.
© Tessa Traeger
© Tessa Traeger
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MánchesterThe Hallé - Tchaikovsky’s Nutcracker Delights

© Tessa Traeger
Prokofiev, Tchaikovsky
The Hallé; Carlo Rizzi

Nueva YorkTurandot

Puccini: Turandot
Carlo Rizzi; Franco Zeffirelli; Metropolitan Opera; Anna Anni; Nina Stemme; Marco Berti

Nueva YorkSimon Boccanegra

Verdi: Simon Boccanegra
Carlo Rizzi; Giancarlo del Monaco; Metropolitan Opera; Michael Scott-Mitchell; Carlos Álvarez; Dmitry Belosselskiy

OsloRigoletto

Verdi: Rigoletto
Keri-Lynn Wilson; Ole Anders Tandberg; Norwegian National Opera; Maria Geber; Yngve André Søberg; Fredrik Zetterström
Últimas críticasVer más...

Espléndido final de temporada de la OSG con Carlo Rizzi

El director Carlo Rizzi cerró la temporada de la OSG © Tessa Traeger
Una sobresaliente Sinfónica de Galicia demostró que a sus veinticinco años goza de la envidiable madurez de las grandes orquestas

Classic Robert Wilson: Turandot opens Canadian Opera Company season

Tamara Wilson (Turandot) © Michael Cooper

Director Robert Wilson and conductor Carlo Rizzi combine effectively to create a visually striking and musically memorable Turandot that emphasizes the hieratic and the mythical with a notable absence of unnecessary histrionics.

Puns, dirty jokes and bizarre misunderstandings

Teresa Iervolino (Ernestina) and Pavel Kolgatin (Ermanno) © Studio Amati Bacciardi
A new, successful production by Leiser and Caurier supports a great cast of Rossini specialists, with Teresa Iervolino, Paolo Bordogna and Davide Luciano in the lead roles.

Joyce El-Khoury shines as Donizetti's Tudor queen

Joyce El Khoury (Elisabetta) © Bill Cooper
It is a thing of wonder that Roberto Devereux is one of Donizetti’s lesser known works. Whether on account of its challenging soprano part, or its fussy Tudor setting, it is rarely performed, but contains some of the composer’s most beautiful – and indeed memorable – arias and duets.