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Intérprete: Cecilia Molinari

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MadridMozart - Las bodas de FígaroNueva producción

© Manuel Alcorlo
Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Stefano Montanari; Robert Carsen; Teatro Real; Christian Schmidt; Luis F Carvalho; Orquesta Titular del Teatro Real

ParísBruno de Sá / Cecilia Molinari / Marie-Nicole Lemieux

© DR
Corelli, Scarlatti
Orchestre Les Accents; Bruno de Sá; Cecilia Molinari; Marie-Nicole Lemieux; Thibault Noally

MúnichLa Cenerentola

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Rossini: La Cenerentola
Stefano Montanari; Jean-Pierre Ponnelle; Bayerische Staatsoper; Bayerisches Staatsorchester; Bayerischer Staatsopernchor

RomaLe nozze di Figaro

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Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Emmanuel Tjeknavorian; Claus Guth; Teatro dell'Opera di Roma; Christian Schmidt; Olaf Winter; Orchestra del Teatro dell'Opera di Roma

BerlínOriginalklang: Les Accents

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Scarlatti, Corelli
Orchestre Les Accents; Thibault Noally; La Sportelle; Bruno de Sá; Cecilia Molinari

ÁmsterdamHedda GablerEstreno absoluto

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Mendonça: Hedda Gabler
Corinna Niemeyer; Nina Spijkers; Dutch National Opera; Studio Dennis Vanderbroeck; Jorine van Beek; Tim van 't Hof; Het Muziek (formerly Asko|Schönberg)
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Cuando la música doblega al canto: Le nozze di Figaro en Les Arts

Le nozze di Figaro se presenta en Les Arts en la producción de Emilio Sagi y bajo la dirección musical de Christopher Moulds.

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Nikola Majtanova (Berenice) and Katleho Mokhoabane (Tito) © Wiener Staatsoper | Marcella Ruiz Cruz
The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own. 

La clemenza di Tito at La Fenice: splendid score, sterile stage

Anastasia Bartoli (Vitellia) and Cecilia Molinari (Sesto) © Michele Crosera

Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.

Glyndebourne’s season opens with Rossini’s Barber of Seville

Germán Olvera (Figaro) © Glyndebourne Productions Ltd | Tristram Kenton
Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

A modern makeover for Donizetti’s Zoraida di Granata

Cecilia Molinari (Abenamet) © Gianfranco Rota
Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet. 

Carlo Tenan delivers a tempestuous, desperate Mozart Requiem

Carlo Tenan © Salih Üstündäg
The Borusan Istanbul Philharmonic and Hungarian National Choir give a searing account of Mozart’s Requiem, superbly guided by conductor Carlo Tenan. 
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