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MadridMozart - Las bodas de FígaroNouvelle production
Mozart: Les Noces de Figaro (Le nozze di Figaro)
Stefano Montanari; Robert Carsen; Teatro Real; Christian Schmidt; Luis F Carvalho; Orquesta Titular del Teatro Real
ParisBruno de Sá / Cecilia Molinari / Marie-Nicole Lemieux
Corelli, Scarlatti
Orchestre Les Accents; Bruno de Sá; Cecilia Molinari; Marie-Nicole Lemieux; Thibault Noally
MunichLa Cenerentola
Rossini: La Cenerentola (Cendrillon)
Stefano Montanari; Jean-Pierre Ponnelle; Bayerische Staatsoper; Bayerisches Staatsorchester; Bayerischer Staatsopernchor
RomeLe nozze di Figaro
Mozart: Les Noces de Figaro (Le nozze di Figaro)
Emmanuel Tjeknavorian; Claus Guth; Teatro dell'Opera di Roma; Christian Schmidt; Olaf Winter; Orchestra del Teatro dell'Opera di Roma
BerlinOriginalklang: Les Accents
Scarlatti, Corelli
Orchestre Les Accents; Thibault Noally; La Sportelle; Bruno de Sá; Cecilia Molinari
AmsterdamHedda GablerCréation mondiale
Mendonça: Hedda Gabler
Corinna Niemeyer; Nina Spijkers; Dutch National Opera; Studio Dennis Vanderbroeck; Jorine van Beek; Tim van 't Hof; Het Muziek (formerly Asko|Schönberg)
Critiques récentesEn voir plus...
La Clemenza di Tito à Liège : point trop n’en faut !
Richesse vocale et surenchère visuelle sont au menu de l'ultime opéra mozartien à Liège, mis en scène par le duo Cécile Roussat-Julien Lubek.
Too much and too little: Jan Lauwers’ restless Clemenza in Vienna
The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.
La clemenza di Tito at La Fenice: splendid score, sterile stage
Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.
Glyndebourne’s season opens with Rossini’s Barber of Seville
Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.
A modern makeover for Donizetti’s Zoraida di Granata
Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet.
Carlo Tenan delivers a tempestuous, desperate Mozart Requiem
The Borusan Istanbul Philharmonic and Hungarian National Choir give a searing account of Mozart’s Requiem, superbly guided by conductor Carlo Tenan.
Articles récents
Rising stars: ten to watch in 2025–26
With so many talented young artists appearing in this season, editor Mark Pullinger selects ten we’re particularly excited to follow this year.