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Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland
In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.
Scottish Opera’s Albert Herring: as fresh as dew on a May morning
Scottish Opera’s Albert Herring is updated to 1990 in Daisy Evans' likeable production, finely sung with a tight ensemble.
Gold medal for Irish National Opera's L’Olimpiade at Covent Garden
Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.
WNO’s abstract Magic Flute proves more contemporary than cohesive
WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it.
Maria Agresta captivates in latest ROH revival of Madama Butterfly
A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.
A little touch of magic in Scottish Opera's Hansel and Gretel
Clever stage touches and great voices are enough to win over even the stoniest of hearts.
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GlasgowHansel and Gretel
Humperdinck: Hänsel und Gretel
David Parry; Daisy Evans; Scottish Opera; Neil Foulis; Kitty Whately; Rhian Lois; Nadine Benjamin