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Intérprete: Dingle Yandell

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LondresBach Collegium Japan: Handel’s Messiah

Barbican
Handel: El Mesías
Masato Suzuki; Bach Collegium Japan; Rachel Nicholls; Terry Wey; Mauro Peter

GlyndebourneBilly Budd

Thomas Mole (Billy Budd) © Glyndebourne Productions Ltd. Photo: Tristram Kenton
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra

LondresDon Giovanni

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Mozart: Don Giovanni
Stefano Montanari; Kasper Holten; The Royal Opera; Es Devlin; Anja Vang Kragh; Bruno Poet; Orchestra of the Royal Opera House Covent Garden
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Billy Budd makes a welcome return to Glyndebourne

Thomas Mole (Billy Budd) © Glyndebourne Productions Ltd. Photo: Tristram Kenton
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.

Teatro della morte: letzte Werke von Pergolesi und Mozart in Salzburg

Christina Pluhar, Philippe Jaroussky und Céline Scheen © Wolfgang Lienbacher
Zur siebzigsten Mozartwoche in Salzburg verbanden Christina Pluhar und L'Arpeggiata beeindruckend finale, Todeserfahrung beschreibende Vokalwerke von Pergolesi und Mozart.

The Dunedin Consort Messiah remains a welcome seasonal speciality

Nardus Williams © Bertie Watson

The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.

Glyndebourne’s iconic Dream approaches its century

Nils Wanderer (Oberon) and Jennifer France (Tytania) © Glyndebourne Productions Ltd | Tristram Kenton
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season. 

Strong team for a Good Friday St John Passion

The Academy of Ancient Music © Benjamin Ealovega
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican. 

Undernourished: ENO’s Bohème revival lacks red meat

Nadine Benjamin (Mimì) and Joshua Blue (Rodolfo) © Lloyd Winters
Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum.