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Performer: Dingle Yandell

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LondonHandel's Messiah

© Andy Paradise
Händel: Messias
Royal Philharmonic Orchestra; Eduardo Strausser; Philharmonia Chorus; Francesca Chiejina; Katie Bray; Trystan Llŷr Griffiths
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LondonBach cantata BWV 113 Herr Jesu Christ, du höchstes Gut

Orchestra of the Age of Enlightenment
Bach: Herr Jesu Christ, du hoechstes Gut - Cantata, BWV113
Steven Devine; Sofia Larsson; Emma Walshe; Helen Charlston

LondonBach Cantata BWV 138 Warum betrübst du dich, mein Herz

Orchestra of the Age of Enlightenment
Bach: Warum betruebst du dich, mein Herz? - Cantata, BWV138
Steven Devine; Sofia Larsson; Jessica Cale; Ciara Hendrick
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Gabrielis elegante Feier Henry Pucells

Gabrieli Consort & Players © Andy Staples Photography
Beinahe war dieser King Arthur so rund und erhaben schön, dass die fünf Akte auch zu fünf Sternen geführt hätten.
****1
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Natalya Romaniw an exciting Tosca in Scottish Opera’s powerful revival

Natalya Romaniw (Tosca) and Gwyn Hughes Jones (Cavaradossi) © James Glossop

Anthony Besch’s trusty Tosca returns to Scottish Opera with Natalya Romaniw packing a punch in the title role. 

*****
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Slim-line Rheingold opens at Grimeborn Festival

Paul Carey Jones (Wotan) © Lidia Crisafulli
Jonathan Dove's lean reduction of Wagner’s score for just 18 players is performed at the Grimeborn Festival in Julia Burbach's staging. 
****1
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Scottish Opera’s steampunk Magic Flute returns

Julia Sitkovetsky (The Queen of the Night) © James Glossop

Sir Thomas Allen’s crowd-pleasing Magic Flute returns to Scottish Opera in a finely sung performance with Tobias Ringborg drawing period colours from the orchestra.

****1
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A dark, unflinching Rigoletto from Scottish Opera

Lina Johnson (Gilda) © Julie Howden
More relevant than ever, the patriarchal nightmare of Verdi's Rigoletto is dark and unflinching in Scottish Opera's revival of their 2011 production, with some striking scenes and fine singing.
****1
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King Arthur : rois et divertissements à Versailles

Paul McCreesh © Andy Staples
Porté ici par un Gabrieli Consort en bonne forme, quoiqu’un peu contenu par la direction de Paul McCreesh, et des solistes tout à fait convaincants, King Arthur rappelle ici ses grandes qualités musicales
***11
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