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LondonBach Collegium Japan: Handel’s Messiah
Händel: Messias
Masato Suzuki; Bach Collegium Japan; Rachel Nicholls; Terry Wey; Mauro Peter
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
LondonDon Giovanni
Mozart: Don Giovanni
Stefano Montanari; Kasper Holten; The Royal Opera; Es Devlin; Anja Vang Kragh; Bruno Poet; Covent Garden Orchester des Royal Opera House
Neue Kritikenmehr...
Teatro della morte: letzte Werke von Pergolesi und Mozart in Salzburg
Zur siebzigsten Mozartwoche in Salzburg verbanden Christina Pluhar und L'Arpeggiata beeindruckend finale, Todeserfahrung beschreibende Vokalwerke von Pergolesi und Mozart.
Gabrielis elegante Feier Henry Pucells
Beinahe war dieser King Arthur so rund und erhaben schön, dass die fünf Akte auch zu fünf Sternen geführt hätten.
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.
The Dunedin Consort Messiah remains a welcome seasonal speciality
The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.
Glyndebourne’s iconic Dream approaches its century
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.
Strong team for a Good Friday St John Passion
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican.