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Performer: Dingle Yandell

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LondonBach Collegium Japan: Handel’s Messiah

Barbican
Händel: Messias
Masato Suzuki; Bach Collegium Japan; Rachel Nicholls; Terry Wey; Mauro Peter

GlyndebourneBilly Budd

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Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra

LondonDon Giovanni

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Mozart: Don Giovanni
Stefano Montanari; Kasper Holten; The Royal Opera; Es Devlin; Anja Vang Kragh; Bruno Poet; Covent Garden Orchester des Royal Opera House
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Teatro della morte: letzte Werke von Pergolesi und Mozart in Salzburg

Christina Pluhar, Philippe Jaroussky und Céline Scheen © Wolfgang Lienbacher
Zur siebzigsten Mozartwoche in Salzburg verbanden Christina Pluhar und L'Arpeggiata beeindruckend finale, Todeserfahrung beschreibende Vokalwerke von Pergolesi und Mozart.
***11
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Gabrielis elegante Feier Henry Pucells

Beinahe war dieser King Arthur so rund und erhaben schön, dass die fünf Akte auch zu fünf Sternen geführt hätten.
****1
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The Dunedin Consort Messiah remains a welcome seasonal speciality

Nardus Williams © Bertie Watson

The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.

****1
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Glyndebourne’s iconic Dream approaches its century

Nils Wanderer (Oberon) and Jennifer France (Tytania) © Glyndebourne Productions Ltd | Tristram Kenton
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season. 
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Strong team for a Good Friday St John Passion

The Academy of Ancient Music © Benjamin Ealovega
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican. 
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Undernourished: ENO’s Bohème revival lacks red meat

Nadine Benjamin (Mimì) and Joshua Blue (Rodolfo) © Lloyd Winters
Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum. 
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