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LondresBach Collegium Japan: Handel’s Messiah
Haendel: Le Messie
Masato Suzuki; Bach Collegium Japan; Rachel Nicholls; Terry Wey; Mauro Peter
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
LondresDon Giovanni
Mozart: Don Giovanni
Stefano Montanari; Kasper Holten; The Royal Opera; Es Devlin; Anja Vang Kragh; Bruno Poet; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...
King Arthur : rois et divertissements à Versailles
Porté ici par un Gabrieli Consort en bonne forme, quoiqu’un peu contenu par la direction de Paul McCreesh, et des solistes tout à fait convaincants, King Arthur rappelle ici ses grandes qualités musicales
Teatro della morte: letzte Werke von Pergolesi und Mozart in Salzburg
Zur siebzigsten Mozartwoche in Salzburg verbanden Christina Pluhar und L'Arpeggiata beeindruckend finale, Todeserfahrung beschreibende Vokalwerke von Pergolesi und Mozart.
The Dunedin Consort Messiah remains a welcome seasonal speciality
The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.
Glyndebourne’s iconic Dream approaches its century
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.
Strong team for a Good Friday St John Passion
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican.
Undernourished: ENO’s Bohème revival lacks red meat
Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum.