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LeedsDead Man Walking
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
SalfordDead Man Walking
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
Newcastle upon TyneDead Man Walking
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
NottinghamDead Man Walking
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
Londres4.48 Psychosis
Venables: 4.48 Psychosis
Naomi Woo; Ted Huffman; The Royal Opera; Hannah Clark; DM Wood; Orchestra of the Royal Opera House Covent Garden
ÁmsterdamPrey – Dutch National BalletEstreno absoluto
Karlsson: Prey
Jessica Wright; Morgann Runacre-Temple; Dutch National Ballet; Koen Kessels; Michael Levine; Annemarie Woods; DM Wood
Últimas críticasVer más...
Titov and Hrůša’s new Parsifal: musically sublime dystopia
In The Royal Opera’s latest Wagner outing, Jakub Hrůša and the orchestra give a performance for the record books, while Evgeny Titov creates intelligently nuanced dystopia.
Glyndebourne’s first Tosca: vocally strong but imperfect
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
ENO’s Mahagonny: biting, bleak, brilliantly executed satire
Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.
Dead Man Walking at English National Opera: a superb execution
Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.
Koks und Nutten: Le nozze di Figaro an der Bayrischen Staatsoper
An der Bayerischen Staatsoper brilliert ein hochkarätiges Mozart-Ensemble in einem so enttäuschenden, wie trostlosem Regiekonzept.
Soaring orchestral themes, minimalist staging: Eugene Onegin
The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.