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LeedsDead Man Walking
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Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
SalfordDead Man Walking
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Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
Newcastle upon TyneDead Man Walking
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Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
NottinghamDead Man Walking
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Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
GlyndebourneToscaNueva producción
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Puccini: Tosca
Robin Ticciati; Ted Huffman; Glyndebourne Festival Opera; Jordan de Souza; Nadja Sofie Eller; Astrid Klein; DM Wood
GlyndebourneToscaNueva producción
Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
Últimas críticasVer más...
Glyndebourne’s first Tosca: vocally strong but imperfect
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Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
ENO’s Mahagonny: biting, bleak, brilliantly executed satire
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Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.
Dead Man Walking at English National Opera: a superb execution
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Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.
Koks und Nutten: Le nozze di Figaro an der Bayrischen Staatsoper
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An der Bayerischen Staatsoper brilliert ein hochkarätiges Mozart-Ensemble in einem so enttäuschenden, wie trostlosem Regiekonzept.
Soaring orchestral themes, minimalist staging: Eugene Onegin
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The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.
All play and no work: an exuberant Figaro in Munich
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Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.