Bachtrack logo

Intérprete: DM Wood

Live EventsVer más...

LeedsDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

SalfordDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

Newcastle upon TyneDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

NottinghamDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

GlyndebourneToscaNueva producción

Listing filler
Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra

San FranciscoMary, Queen of ScotsNueva producción

Listing filler
Musgrave: Mary, Queen of Scots
Clelia Cafiero; Stewart Laing; San Francisco Opera; DM Wood; San Francisco Opera Orchestra
Últimas críticasVer más...

Glyndebourne’s first Tosca: vocally strong but imperfect

Caitlin Gotimer (Tosca) and Matteo Lippi (Cavaradossi) © Glyndebourne Productions Ltd | Richard Hubert Smith
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

Simon O'Neill (Jimmy MacIntyre) © Tristram Kenton
Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

Dead Man Walking at English National Opera: a superb execution

Michael Mayes (Joseph De Rocher) and Christine Rice (Sister Helen Prejean) © Manuel Harlan
Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

Koks und Nutten: Le nozze di Figaro an der Bayrischen Staatsoper

Golda Schultz (Gräfin Almaviva) und Konstantin Krimmel (Figaro) © Geoffroy Schied
An der Bayerischen Staatsoper brilliert ein hochkarätiges Mozart-Ensemble in einem so enttäuschenden, wie trostlosem Regiekonzept.

Soaring orchestral themes, minimalist staging: Eugene Onegin

Liparit Avetisyan (Lensky), Avery Amereau (Olga) © Royal Ballet and Opera | Tristram Kenton
The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.

All play and no work: an exuberant Figaro in Munich

Mattia Olivieri (Count Almaviva) and Louise Alder (Susanna) © Wilfried Hösl
Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.