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Intérprete: Douglas Boyd

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High WycombeLa traviataNueva producción

Madison Leonard (Violetta) and Oleksiy Palchykov (Alfredo) © Clive Barda
Verdi: La traviata
Douglas Boyd; Louisa Muller; Garsington Opera; Tess Jackson; Christopher Oram; Marcus Doshi

High WycombeThe Importance of Being EarnestNueva producción

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Barry: The Importance of Being Earnest
Douglas Boyd; Jack Furness; Garsington Opera; Francis O'Connor; Hannah Wolfe; Philharmonia Orchestra; Rebecca Meltzer
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Diana Tishchenko subyuga en la Casa da Música de Oporto

La Orquesta Sinfónica de Oporto bajo la precisa e intensa dirección de Douglas Boyd ofreció un estimulante concierto con obras de Mendelssohn y contó además con la interpretación de la joven solista Diana Tishchenko.

Garsington’s new La traviata ticks every musical and dramatic box

Madison Leonard (Violetta) and Oleksiy Palchykov (Alfredo) © Clive Barda
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

A radically trad Fidelio at Garsington

Robert Murray (Florestan) © Julian Guidera
Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.

Three card trick: compelling new Queen of Spades at Garsington

Aaron Cawley (Herman) © Clive Barda
Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing. 

Garsington Opera's new A Midsummer Night's Dream

Iestyn Davies (Oberon) and Lucy Crowe (Tytania) © Craig Fuller
In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings? 

Parmesan hits the pasta in Garsington's new Barbiere di Siviglia

Johannes Kammler (Figaro) © Clive Barda
Come for the shave, stay for the comedy. Christopher Luscombe's new production of Rossini's beloved opera buffa avoids overcomplicating the plot, letting the work's humour and the abilities of the principals shine.