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Die Fledermaus at The Grange: Cabaret meets G&S
A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.
The darker side of G&S: Yeomen of the Guard at Holland Park
Some good singing performances can't overcome a dated feeling of Gilbert's humour: the evening improves as the storm clouds gather.
A character study in singing: Handel’s Tamerlano at ETO
A fine cast breathes life into the story of the captured Ottoman Sultan Bajazet and his Mongol conqueror.
Scottish Opera's spectacular Gondoliers bump starts its new season
Stuart Maunder directs a lavishly costumed cast, Derek Clark conducts fine playing and singing and Isabel Baquero’s choreography sparkles.
Empty hunger: Bieito’s Carmen returns to ENO
Bieito’s Carmen is now a mainstay of ENO's repertoire, but with an excellent central cast led by Sean Panikkar and Justina Gringytė, the production feels entirely fresh.
Matrimonial mayhem: Le nozze di Figaro at The Grange Festival
Lloyd-Evans' new production of Mozart's classic might be traditional, but there's no lack of astuteness in his direction of his characters. Problems in the pit hinder an otherwise strong musical performance.