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Intérprete: Ema Nikolovska

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BerlínOrlandoNueva producción

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Neuwirth: Orlando
Johannes Kalitzke; Ewa Marciniec; Komische Oper Berlin; Mirek Kaczmarek; Julia Kornacka; Olaf Freese; Orchester der Komischen Oper Berlin

LondresColin Alexander, des Prez, Dunstaple and more

Wigmore Hall
Unknown, Oliveros, Agar, Dunstable, des Prez, Alexander, Werner, Byrd, Gibbons
Héloïse Werner; Ema Nikolovska; Adèle Charvet; Karim Sulayman

LondresEma Nikolovska / Jonathan Biss

Wigmore Hall
Schubert
Ema Nikolovska; Jonathan Biss

LondresO/Modernt Chamber Orchestra

Wigmore Hall
Britten, Muhly
O/Modernt Chamber Orchestra; Hugo Ticciati; Cyrille Dubois; Ema Nikolovska; Annemarie Federle

ParísHippolyte et AricieVersión de concierto

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Rameau: Hippolyte et Aricie
Marc Minkowski; Les Musiciens du Louvre; Chœur de chambre de Rouen; Cyrille Dubois; Manon Lamaison

TorontoBeethoven’s Ninth

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Beethoven: Sinfonía núm. 9 en re menor "Coral", op. 125
Toronto Symphony Orchestra; Gustavo Gimeno; Ambur Braid; Ema Nikolovska; Saimir Pirgu; Jongmin Park
Últimas críticasVer más...

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

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The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

Masterly Boulez from Shibe and friends at the BBC Proms in Gateshead

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Intimate playing from Sean Shibe, a deconstruction of Maria Callas’ vibrato and a deeply committed Boulez mid 20th-century masterpiece.

Punk loves pink in Mariame Clément’s Berlin Roméo et Juliette

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The French director updates the action to the present day, underscoring the validity of the plot – feuding families and class differences are still relevant. 

Jamie Manton's Cunning Little Vixen falls flat in Toronto

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After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

In seinem Element: Pygmalion mit Mendelssohns dramatischem Elias

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Fast gänzlich wie im Buche und Mendelssohns vollbrachter Gestaltung strömten flexible Kontraste der Extreme bei Pygmalion aus allen Poren in emotionale Bahnen.

Intriguing, mysterious, intense: Picture a day like this at the ROH

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Sir George Benjamin and Martin Crimp’s new chamber opera receives a powerful UK premiere in the Linbury Studio at Covent Garden.