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LondresColin Alexander, des Prez, Dunstaple and more
Unknown, Oliveros, Agar, Dunstable, des Prez, Alexander, Werner, Byrd, Gibbons
Héloïse Werner; Ema Nikolovska; Adèle Charvet; Karim Sulayman
LondresO/Modernt Chamber Orchestra
Britten, Muhly
O/Modernt Chamber Orchestra; Hugo Ticciati; Cyrille Dubois; Ema Nikolovska; Annemarie Federle
ParísHippolyte et AricieVersión de concierto
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Rameau: Hippolyte et Aricie
Marc Minkowski; Les Musiciens du Louvre; Chœur de chambre de Rouen; Cyrille Dubois; Manon Lamaison
BerlínLe nozze di Figaro
Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Marc Minkowski; Jürgen Flimm; Staatsoper Berlin; Magdalena Gut; Ursula Kudrna; Olaf Freese; Staatskapelle Berlin
TorontoAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Johannes Debus; Paul Curran; Canadian Opera Company; Gary McCann; Howard Hudson; Canadian Opera Company Orchestra
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Gustavo Gimeno and the TSO give Beethoven’s Ninth the grand treatment
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Gustavo Gimeno and the TSO give a performance that’s both carefully thought out and very grand, aided by excellent soloists and the huge Toronto Mendelssohn Choir.
Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin
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The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.
Masterly Boulez from Shibe and friends at the BBC Proms in Gateshead
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Intimate playing from Sean Shibe, a deconstruction of Maria Callas’ vibrato and a deeply committed Boulez mid 20th-century masterpiece.
Punk loves pink in Mariame Clément’s Berlin Roméo et Juliette
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The French director updates the action to the present day, underscoring the validity of the plot – feuding families and class differences are still relevant.
Jamie Manton's Cunning Little Vixen falls flat in Toronto
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After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.
In seinem Element: Pygmalion mit Mendelssohns dramatischem Elias
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Fast gänzlich wie im Buche und Mendelssohns vollbrachter Gestaltung strömten flexible Kontraste der Extreme bei Pygmalion aus allen Poren in emotionale Bahnen.